Cases & identities
An experimental study of how much expression can live inside a single letter shape. Starting from dozens of analogue sketches of the letter “n”, the project explores gothic, playful and reduced forms. By selecting, digitising and extending the system to letters like H, U and M, the idea gradually becomes a coherent type style. The documentation traces how loose sketching turns into a typographic concept that can later grow into a full alphabet.
Documentation of a “fake logos” project that playfully reinterprets well-known brands such as Chanel, KFC, Firefox, sushi restaurants and Starbucks. Through type modifications, vector drawing and image editing, new wordmarks like “LACHEN”, “KFW” and “Freifox Browser” emerge. The process highlights how precisely form, proportion and typography must work together for a logo to feel both humorous and still brand-like.
Documentation of a motion typography project built from 5–10 second loops where letters, words and a sentence are set in motion. Using T, Z, O, A, the words “ZEIT”, “WIND”, “FALLEN” and the phrase “Der Die Das Mensch”, the project explores how direction, speed and rhythm create meaning. The focus is on readability, timing and the moment when typography turns into moving language.
Documentation of an experimental object that grows out of the tactile perception of three materials. The process traces how blind touch evolves into a light sculpture balancing between sculpture, space and imagination. Reflections connect haptic experience with material, form and spatial atmosphere.